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Wednesday, February 28, 2018

Of Monsters and Men - Love Love Love



Of Monsters and Men’s album “My Head is an Animal” was one of my favorite albums of 2012; so why am I talking about it now. Primarily because I am finally getting around to it.

I remember discovering a lot of good music in 2012, but mainstream popular music was rapidly exiting my playlist as that was a year I began to drift very far away from terrestrial radio. Since that time, I have stayed on top of various recording studios, specific artists, and hyper specific genres, but I have become proudly out of touch with the top forty. I discovered Of Monsters and Men from terrestrial radio, and since I was leaving that behind, they did not work their way into my playlist for several years.

It was not until 2015 or so, when I finally listened to “My Head is an Animal” in full, by that time Of Monsters and Men had released their second album “Beneath the Skin” which I was able to enjoy in full on youtube where they had released lyric videos for every single song. “Beneath the Skin” was really good, but I liked their first album more, and it was still fresh to me because of my avoidance of popular music.

One of the great evils of terrestrial radio is the over playing of popular songs robbing them of their specialness by transforming them into tiresome background music. We have all experienced it, songs we love at first are played over and over again, we hear it upwards of a half-dozen times everyday for several months and we no longer want to hear it ever again. Well I have successfully dodged that for years, so songs like “Little Talks” are still highly enjoyable to me.

I could talk about every single song on “My Head is an Animal” it is that good of an album, but as is my usually habit, I pick a single song to focus on, and I choose “Love Love Love,” simply because it is my favorite.

“Love Love Love” is a bittersweet love song, it is bitter because the message is one of longing and going without, it is also sweet because it sounds so very nice.

I do not believe “Love Love Love” is an unrequited love song, the singing narrative characters expresses a reciprocation to her would be lover, but must relinquish any return of affection, and it is never dwelt on why, but it is made clear that this is a love that must not be realized.

The opening verse gives us a strong sense of regret for allowing any sort of love to grow between the two in the first place. An element of self-loathing is presented by singer Nanna Bryndis, for it was cruel to make this man fall in love with her.

“Well, maybe I'm a crook for stealing your heart away,
Yeah, maybe I'm a crook for not caring for it,
Yeah, maybe I'm a bad, bad, bad, bad person,
Well, baby, I know.”


The second verse gives us the lamentations of this impossible connection.

“And these fingertips,
Will never run through your skin,
And those bright blue eyes,
Can only meet mine across the room filled with people that are less important than you.”


I particularly like the last line, a room full of less important people, that paints a very interesting picture of emotional connection and priority.

The lyrics are nice and poetic, there is a lot to enjoy there, but the deep atmosphere is what gives this song it’s chilling sting.

Iceland produces a lot of interesting music. A common trend amongst Icelandic music is a strong ambience, and Of Monsters and Men are no exception. The music Of Monsters and Men is very rich and full, there are so many unique sounds from so many different instruments including the glockenspiel and a melodica, and I do not even know what that is. I can spend hours just getting lost in the crazy variety of noises produced by this band and the strange mystical adventures they have created.

I mentioned a moment ago the lyric videos, to the best of my knowledge every single Of Monsters and Men has an official lyric video on the tubes. The first album “My Head is an Animal” made it’s lyric music video with simply repetitive monochrome animation that assisted in visualising the already wonderland of Iceland like imagery that was already in my mind when listening to Of Monsters and Men. For the song “Love Love Love” the barely animated short is a Minotaur sitting in a row boat gazing sadly at the water, half way through the song the camera pans out to reveal a sea dragon floating beneath the water. What does this mean if anything? Are we to suspect the long wishing love song is about two mythical creatures? I was not going to guess that initially, but this fun visual does encourage our imaginations to wander.

Like so many other songs I have discussed in the past, the greatest charm of “Love Love Love” and all the songs by Of Monsters and Men, if the power to stir the imagination. Getting lost in all those sounds and experiencing the wonderful feeling of letting the mind wander is one of the greatest joys of music.

Until next month, keep on rocking in the free world.

- King of Braves

Saturday, February 10, 2018

Beyond the Black - Songs of Love and Death



I have never been to the Wacken Open Air metal festival, but it is a dream of mine that one day I will go, probably to see Avantasia. I watch a lot of live performances of Wacken Open Air, as you do, and I discover bands I have never heard before, and among them my recent discoveries is Beyond the Black.

Beyond the Black is a fresh new German metal band fronted by Jennifer Haben and produced by Sascha Paeth. Sascha Paeth was a key figure in the creation and development of Avantasia, he is a basically a rock and roll demi-god, so it follows that Beyond the Black under his tutelage would be good, and yeah, they are.

Jennifer Haben
I watched Beyond the Black’s live performance at Wacken 2014, and the song that stood out the most to me was “Songs of Love and Death” which is the title track of their debut album. The next logical step was to listen to the album “Songs of Love and Death,” and that was solid, still the title track was the gem that shined brightest for me. I have not gotten around to listening to their second album “Lost In Forever” in full yet, but the title track is once again pretty good.

When looking at the make up of the song, “Songs of Love and Death,” it looks to me to be designed to be a little more pop then your average German metal song. The chorus repeats four times, with only two verses, and as we all know the repetition breeds continuity and the human brain craves patterns, so this is a good tactic to make a song catchy and radio friendly. There is a really great, albeit short, drum solo, that rocks the house, and after the second verse we get a rocking guitar solo, so this song is still sufficiently metal to satisfy. Nonetheless the catchy chorus was the hook that got me listening more than once, so well done.

Another reason I surely like “Songs of Love and Death” is that it taps into that good and bad, light and dark, duality that I enjoy. A song titled “Songs of Love and Death” inescapably reminds of HIM, and all their songs, literally all of them, being about both of those two subjects blended together. Beyond the Black is not as intense about embracing love and death simultaneously as HIM, and in this example, I think death is used more as a benchmark then doom. The tragedy of death is not at all dwelled on, and there are multiple references looking to the future once our lovers are united; in the first chorus, “From this day on we’ll watch our lives unfold,” and from the second “Then we will turn to more than we both could be.”

The excitement of death, from a narrative perspective, is finality. In “Songs of Love and Death” death is the end, and time we have before than is enriched and empowered by love. We become more than we are together then when are when alone, we save each other from ourselves. Death is the end of the turning of the wheel, the end of the song. “Songs of Love and Death” could easily be renamed “Songs of Life and Death,” but that is less dramatic, less poetic too.

Haben invites her narrative lover, and the audience both, to join her on this adventure of life and death, and I really like how to works on both levels:

“Come and join my voice in songs of love and death.
Come and feel me, steal me, save me from myself.
All my longing, wandering heart is yours to have.
Come and join my voice in songs of love and death.
Songs of love and death.”


It is too early to know what to make of Beyond the Black, but this is a really good start of a career for Jennifer Haben who is only twenty-two years old. Which means she was eighteen or nineteen when “Songs of Love and Death” came at, and approximately the same age when she performed at Wacken in 2014, and that is interesting.

Speaking of interesting, I could not help but notice the entire band outside of Haben quit after the second album “Lost in Forever.”

Also, interesting, the lack of formation of an official band during the recording of “Songs of Love and Death,” and the high number of musicians who helped record the album (twenty-one).

I also could not help but notice how good looking Jennifer Haben is.

Confirmed as good looking
At the avoidably risk of sounding cynical I will address the elephant in the room, was Haben handed a metal career by Sascha Paeth? Sascha seems like a nice guy, sounds like the sort of thing he might due for a nice young person. Is Haben something special, that drew the support from so many talents? What exactly is going on?

When I started writing this review, the end statement was going to be something like “I look forward to seeing what the future holds for Beyond the Black,” but now I am like “wait… we have seen musical careers handed out to young talented singers before who looked a certain way, is that happening to metal?”

Now I do not know what to think, and in many ways, that is more exciting.

There comes a point in every music fan, or critic’s, life when the soullessness nature of the pop music industry ceases to be so offensive. We just come to accept that corporate greed and manipulative marketing get in the way of all kinds of artistic endeavors, and that some people value money more than art, even though they pose as artists. No one likes it, just like unhealthy fast food, but we come to accept that such cheap tactics have a reason to exists however disappointing that may be.

I would be disappointed to learn that Jennifer Haben is a pretty face with a manufactured music career, but that is the excitement of the future for Beyond the Black, she could easily crush that cynical concern with the next Beyond the Black album. Haben no longer has Paeth producing for her, she no longer has the twenty-one musicians helping her out, she does not even have the band that helped her kick butt at Wacken 2014. The next album will be doubtless her own creation, and since she is a good singer and seems likable in interviews I hope she is successful in banishing doubts about her place in the European metal scene.

Should the worst prove true, this would be the first case I aware of where the ugliness of manufactured pop music has infected the European metal scene, but even then, I get it, we all got bills to pay, at least some decent songs were written in the mean time.

I am routing for you Jennifer, now go establish yourself as a talented song writer, which is a lot easier said than done.

- King of Braves

Songs of Love and Death - Live at Wacken 2014